Prisma is a solo performance born from a constant desire to overflow the edge (Venus in Gemini, what did you expect?).
With movement as its central axis and audiovisual technology as its hybrid territory, the project intertwines the contemporary body with the practice of waacking: out of desire, out of its own resonance, and as a queer archive. It is a radical entry into subjectivity, a situated solipsism, not as a closure, but as a place where the body becomes a space of exposure, desire, dance, sweat, exhaustion, and process, emerging from the eternal question of being. From this immersion in my own performative identity, I trust that resonances with other subjectivities may arise, especially those that inhabit the other, understanding queer as a territory of vibration, displacement, and encounter.
Biography
Víctor Aicua
Víctor Aicua is an interdisciplinary artist originally from Pamplona, based in Barcelona. His practice is articulated from a hybrid trajectory that spans dance, performance, voice and visual arts, with the body as the main language of research and creation. He began his training in urban dance and expanded his practice to classical, modern and contemporary dance, specialising in Choreography and Performance at the Institut del Teatre in Barcelona. At the same time, he studied music and singing, integrating these languages into his stage work. As a performer and creator, he has participated in various projects and creative processes, developing his own work and collaborating with different artists and companies, notably participating in Alina Sokulska's The Book of Sand and working as a choreographic assistant with Aurora Bauzà and Pere Jou. His work is characterised by the intersection of choreographic, performative and musical practices, as well as by a constant interest in stage presence and the processes of transformation that emerge from movement. In his recent research, Víctor is particularly interested in queer culture, gender performativity and the ways in which identity, desire and presence are negotiated on stage.
